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The Music of Content Engineering

  • Writer: Jane Haynie
    Jane Haynie
  • Sep 20
  • 3 min read

I’ve been drawn to music for as long as I can remember. I studied piano from the age of four, played flute through high school, and studied music composition for my first three years in undergrad (before I switched to marketing). Music has always been more than a hobby—it’s been a way to think, process, and create.


When I sit down at the piano, I don’t start with a finished piece in mind. I start with a handful of notes, a phrase, a pattern that catches my ear. From there, it’s about balance—repetition versus variation, structure versus freedom. Too much of one side and the piece falls flat; too much of the other and it spirals into chaos. The magic is in shaping those patterns so they build into something coherent, compelling, and…beautiful.


I’ve always loved that challenge. It’s not just about what sounds good in the moment but about how the themes evolve, how sections connect, how the whole thing blends together.

Over time, I realized that same process shows up in another part of my work. My brain works the same way when I’m writing music as it does when I’m constructing content systems. We like to think of content automation as a technical, logical effort, but it’s actually an art much the same as composing is.


Finding patterns in both worlds

Patterns and structure are what make both music and content work. In music, a theme repeats so the listener feels grounded, while variations keep it alive. In content automation, workflows are repeatable so teams stay efficient, while human insight gives each piece its own shape and purpose.


But patterns alone aren’t enough. What looks effortless on the surface is always anchored by structure. In music, it’s rhythm, harmony, and form. In content, it’s AI models, statuses, prompts, and automations. Strip those away and you end up with confusing chaos.


That’s why I approach content engineering the way I approach a piece at the piano: build the structure first, then integrate variation using your content experts. Get it wrong and the whole thing loses momentum. Get it right and the system has flow—something people can follow, rely on, and actually want to read.


Why the balance matters

It’s easy to mistake content engineering for a purely technical job—wiring together tools, automations, and integrations. But just as music composition without artistry is lifeless, a content system without human perspective is empty. Both require balance.


You need automation to keep things moving; to turn your content team into a repeatable machine. But notes on a page aren’t music until someone gives them phrasing and emotion. Similarly, content isn’t valuable until it carries voice and connection.


I’ve seen teams lean too far into efficiency, publishing more content while engagement plummeted. Structure made them faster, but it didn’t make them better. The truth is, quality only happens when human judgment shapes the system.


That’s why I design workflows with deliberate pauses. Automation clears the repetitive work, but space is reserved for strategy, perspective, and nuance—the same way a composer leaves room for dynamics and interpretation. The balance is what turns mechanics into music.


Where this way of thinking leads next

The more I work with AI and automation, the more I realize we’re still at the early stages of learning how to orchestrate them. Most platforms right now are focused on speed. Push in a title, get out a draft. But that’s like playing scales without ever shaping them into music.


The real power comes when you apply that same artistic mindset I use at the piano. You don’t just let AI run the process—you give it themes, shape its variations, and apply your musical ear for nuance. That’s how you create systems that don’t just churn out content, but produce content with emotional and intellectual impact.


The future of content engineering is all about orchestration, in my mind. Each tool—whether it’s an AI writer, a project manager, or a DAM—is an instrument. On their own, they’re fine. Together, under the guidance of someone who knows how to hear the patterns, they create something powerful.


That’s the art of it. And just like success in music composition, success in content engineering is largely a measure of your technical skill, your experience, and your innate creative intuition.

 
 
 

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